After a long winter of snow, the thaw brings a particular, uneasy season across blanket peat: white surfaces collapse into a patchwork of soft hummocks, hidden pools and thin crust that will no longer carry weight. I’ve learned to read those signatures — the visual and tactile clues that tell you where the peat will hold and where it will give way — because a wrong step can ruin a walk,...
Read more...
I remember the first time I crawled out onto a peatland boardwalk to lift a broken board and examine what was going on...
There’s a particular kind of freedom to be found in low-tide coastal scrambles: a squeeze of wildness, the reveal of...
On the exposed border ridges where peat tussocks meet short, wet grass and a thin crust of ice, footwear and traction...
On the exposed border ridges where peat tussocks meet short, wet grass and a thin crust of ice, footwear and traction choices can make the difference between a steady, enjoyable walk and a long, nervous shuffle. Over years of routes along cliff-tops, upland mires and cross-border ridges I’ve...
Read more... →
When the light softens and the river quiets, otters slip from shadow into the shallows — the sort of moment that makes you forget the hours of waiting, the cold knees and the careful packing. Photographing foraging otters at dusk is one of those rare rewards where patience, kit and a strict code...
Read more... →
When I started playing padel, I quickly realised that choosing the best padel racket is as important as choosing the right pair of boots for a mountain walk: the wrong tool changes everything about how the game feels, how confident you are on the court, and how quickly you improve. Over time I've...
Read more... →
Empty, undulating peat can feel like an ocean when you're standing on it — one that offers few landmarks and many soft, treacherous sinks. Over the years I've learned that the landscape often leaves clues if you know where to look: a faint sheep-track, an old cairn, a line of tussocks, or the way...
Read more... →
I often plan cliff-nesting kittiwake shoots around the same two priorities I have for any wildlife photography: get close enough to make meaningful images, and stay far enough away to leave the birds exactly as I found them. Dawn is my favourite time — the low light sculpts the cliffs and the...
Read more... →
Peatland restoration is one of those practical conservation tasks where a small group of volunteers, the right kit, and a little know‑how can make a real difference. Over the years I've joined peat diggers, drain‑blocking teams and revegetation crews across Britain, and the gear they reach for...
Read more... →
When you spend as much time on Britain's wild edges as I do, the question of what to carry for an emergency bivvy moves from theoretical to essential. Wet border hikes—sea-swept cliffs, peat-drenched moorland, and drizzle-prone coastal routes—demand kit that actually works when everything else...
Read more... →
I’m often asked on the path — usually by someone balancing a camera and a wind-blown jacket on a cliff-top — which lens they should bring for “dramatic cliff portraits.” There’s a deceptively simple short answer (bring what you can handle), but the practical truth is richer and rooted...
Read more... →
I spend a lot of time on long, mixed-terrain day hikes — coastal cliffs, heathered peat, stony upland tracks and muddy forest rides. Over the years I’ve learned that being able to walk all day is as much about sensible training as it is about good kit. You don’t need a gym membership or fancy...
Read more... →
When I set out for a day on Britain's wild edges I expect three seasons in a single walk: a wet morning, a bright but blustery afternoon, and a chilly, damp evening. Selecting layers for that unpredictability is part kit, part judgement. Over thousands of miles on coastal cliffs, peatlands and...
Read more... →